Since I’m currently vacationing in Thailand (hip, hip, hooray!), I’ll keep this post short and sweet.
Recently, I lucked into the opportunity to attend a writing class, my first in years. The course, led by British journalist and author Edward Platt, centered on travel writing. An interesting class, it’s core concept was the idea of writing about place as an emotional, personalitied essence. It was about tapping into a location’s emotional resonance.
Platt offered a variety of ways one might enter into this kind of writing. But of all the advice he offered, it was a concept he briefly addressed in his introduction that most resonated with me:
Trust. Continue reading “Travel Writing & Trust”
Of all the elements that make up writing, authorial voice is perhaps the most elusive.
The best definition I’ve heard of it is this: Voice is your writing sounding like you. In the same way one can identify a George Strait song via the particular flavor of his sound, the best writers have a style that distinguishes them from all others. If presented with a coverless, title-less Jane Austen novel, or a work by C. S. Lewis, I would instantly know to whom the writing belongs. That personality, that authorial sound, is as particular as a face.
But developing your voice can be a rather frustrating cycle. Continue reading “Writers, Readers & Wolf Hall”