Lovely. If I was describing Laura Ruby’s Bone Gap in one word, “lovely” would be it.
As anyone will tell you who’s seen my
one two three four bookshelves, my taste in books is somewhat eclectic. I read everything from stylistically-bizarre literary fiction (looking at you, A House in the Country) to lean-and-mean, plot-driven urban fantasy. And I love it all.
Often, I walk away with an overarching impression of why I loved a particular book. For The Historian, it was “research”–Elizabeth Kostovo does an amazing job of digging into her various histories and settings, then weaving them into a riveting story. For The Night Circus, it was “atmosphere”–Erin Morgenstern evokes her novel’s incredible magical landscape with language and imagination lush and dark.
At first glance, Bone Gap doesn’t sound super unique. It’s about a girl who goes missing, and the boy who’s the only witness to the kidnapping. Any one of a dozen thrillers could be summed up the same way.
But Bone Gap‘s treatment of this story sets it completely apart, weaving a layered, atmospheric magical realism novel with evocative language and hand-to-your-heart themes of love and persevering hope. Since finishing Bone Gap, I’ve found my thoughts wandering back to it again and again.
There’s a reason it was a Printz Award Winner and National Book finalist.
Beautiful Roza appears in Bone Gap, Illinois under mysterious circumstances. But her goodness has the small town quickly falling in love with her–no one more so than Sean, Finn’s stoic brother. The day Roza disappears, Sean’s world crumbles; he’s sure she left by choice. But Finn knows Roza was taken–he saw someone do it. No one can find evidence of Finn’s claims, though. And as everyone knows, Finn’s always been a bit… odd.
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Given my tendency to write long, winding novels that later have to be hacked back like overgrown rosebushes, I’ve come to really respect those writers who’ve mastered the art of trim fiction.
The Things She’s Seen, the work of brother/sister duo Ambelin and Ezekiel Kwaymullina, is a prime example. At just 193 pages–half of which are in verse, making them even less text-intensive–this young adult novel nevertheless tackles heavy themes with succinct, heart-pricking grace.
Set in small-town Australia, Things is told in two voices. 15-year-old Beth Teller, recently dead, has lingered as a ghost only her detective father can see. When he’s dispatched to investigate a suspicious death, she accompanies him, desperate to help him survive his grief. Isobel Catching, found wandering near the murder site, is the sole witness of the crime… but will only tell her story in poetic riddles.
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The newest offering by Matched author Ally Condie, The Last Voyage of Poe Blythe is not unlike crowd favorite Firefly in its futuristic-meets-Old West atmosphere. But where Firefly is about traversing the skies, The Last Voyage is all about navigating waterways.
Set on what appears to be a near-future Earth where the human population has fragmented and thinned, The Last Voyage follows Poe Blythe, the 17-year-old captain of the Gilded Lily. A gold-mining dredge, the Lily is designed to scoop up riverine gold for the Admiral, who leads the remote Outpost where Poe’s society resides. But for Poe, who designed the ship’s deadly armor, the dredge is the means to a very different end–revenge against the raiders who destroyed all she loved. But this time, there’s a traitor aboard….
I found a lot to like in Poe’s story. Condie clearly did her research on river-based gold mining and the corresponding destruction. I recently spent a few years living in Suriname, a South American country with a large gold mining sector. My day job at the time included reporting on the impact of mining on Suriname’s rivers and rainforests. The effects are bleak indeed. Condie’s evoking of the heat and noise, grime and devastation of mining is spot-on.
The Last Voyage is also well paced. The novel has a fair number of twist and turns and Condie manages them nimbly–the pace is tight without being rushed. The various story complications unfold gradually, keeping the reader guessing. And flashbacks are skillfully woven throughout, in support of later plot revelations. There’s also disinformation sown by various characters, both intentionally and accidentally. By leaving the reader unsure what to believe, this sprinkling of deception replicates what Poe would experience as she hears rumors and reports, accusations and counter-accusations: deep uncertainty about who to trust.
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