Editing & Angst: Tactics for Triumphing over Tough Choices

There’s some contention about who said it (Da Vinci? Picasso? E. M. Forster? Paul Valery?), but whoever voiced it, the thought’s a salient one:

“A work of art is never finished. It is merely abandoned.”

For novelists, this means–after much hard work–finally making the choice to unclench your fingers and drop that red pen. At some point, you have to kick that baby bird out of the nest and let it fly or fall as it will.

Alas pour moi, that point of abandonment is not now. Every time I try to nudge one particular novel out of my drafting/editing nest, I find it chirping obnoxiously, squawking that it’s not quite ready.

And so I find myself flourishing that vermillion ink yet again, this time to do a massive, content-oriented edit aimed at culling thousands of words.

Now I may grumble and groan and gnash my teeth–just ask my long-suffering husband–but I’m also invigorated by it. Because who doesn’t want to make her book the best it can be?

That doesn’t mean the project isn’t daunting. Yet as I read through my novel, I’m finding two images to be helpful guides as I decide what to keep and what to cull. For my fellow writer/editors, I thought I’d share: Continue reading “Editing & Angst: Tactics for Triumphing over Tough Choices”

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Help me, Dear Reader. You’re my Only Hope….

A writer’s best friends are her readers and her writing community. Thus, à la Princess Leia, I’m not too proud to ask for a bit of help now and again.

Frequently, I find myself amazed by the speed with which the writing world changes. When I first ventured into publishing, eBooks were a twinkle in someone’s eye. Self-publishing meant arranging for a vanity press to print (for a fee) hard and paperback copies of your book. The standard method for seeking publication was for an author to directly submit her manuscript to a publishing house. Literary agents were a nice-to-have, rather than the (with rare exception) must-have they are today if you’re pursuing traditional publication.

In little more than a decade, all this has changed.

Now it’s almost unheard of for an author to pitch his or her own “unsolicited” manuscript directly to a publishing house. Today, common practice means landing an agent who then uses her institutional knowledge and professional credibility to act as an intermediary, approaching publishers on her author’s behalf. Continue reading “Help me, Dear Reader. You’re my Only Hope….”