Lovely. If I was describing Laura Ruby’s Bone Gap in one word, “lovely” would be it.
As anyone will tell you who’s seen my
one two three four bookshelves, my taste in books is somewhat eclectic. I read everything from stylistically-bizarre literary fiction (looking at you, A House in the Country) to lean-and-mean, plot-driven urban fantasy. And I love it all.
Often, I walk away with an overarching impression of why I loved a particular book. For The Historian, it was “research”–Elizabeth Kostovo does an amazing job of digging into her various histories and settings, then weaving them into a riveting story. For The Night Circus, it was “atmosphere”–Erin Morgenstern evokes her novel’s incredible magical landscape with language and imagination lush and dark.
At first glance, Bone Gap doesn’t sound super unique. It’s about a girl who goes missing, and the boy who’s the only witness to the kidnapping. Any one of a dozen thrillers could be summed up the same way.
But Bone Gap‘s treatment of this story sets it completely apart, weaving a layered, atmospheric magical realism novel with evocative language and hand-to-your-heart themes of love and persevering hope. Since finishing Bone Gap, I’ve found my thoughts wandering back to it again and again.
There’s a reason it was a Printz Award Winner and National Book finalist.
Beautiful Roza appears in Bone Gap, Illinois under mysterious circumstances. But her goodness has the small town quickly falling in love with her–no one more so than Sean, Finn’s stoic brother. The day Roza disappears, Sean’s world crumbles; he’s sure she left by choice. But Finn knows Roza was taken–he saw someone do it. No one can find evidence of Finn’s claims, though. And as everyone knows, Finn’s always been a bit… odd.
Continue reading “Bite-Sized Book Reviews: “Bone Gap””
I may have stumbled onto Magical Realism at some earlier point in my reading life, but the first book I can remember reading from this genre is Sarah Addison Allen’s Garden Spells. As a psuedo-Southern girl–Texas falls on that fine line between the Deep South and the Southwest–I couldn’t resist the charm of the novel’s Southern setting and atmosphere. But what really captured me was the book’s unique style, the way elements of magic enlivened the otherwise realistic story in surprising ways. At that point, I didn’t have the literary term “Magical Realism” at hand. But this striking balance between the realistic and the magical kept me buying literally every book Allen has written since.
As you might guess, Magical Realism is something of a sister genre to Fantasy, sharing as they do a theme of, well, fantasy, But unlike Fantasy novels, whose magic occurs in unique worlds carefully invented by the author, Magical Realism novels have magic sprinkled throughout our own world, realistically-rendered. Compare, for instance, J. R. R. Tolkein’s Lord of the Rings and Joanne Harris’s Chocolat. Continue reading “Five Magical Realism Novels to Snag this Summer”
By sheer accident, I wound up reading two of Alice Hoffman’s novels simultaneously: Practical Magic, from the earlier half of her canon, and The Museum of Extraordinary Things, her most recent novel until The Marriage of Opposites‘ publication just this August.
This reading coincidence was by no means deliberate. Rather, it was born of two quirks of mine.
No. 1–I’m nearly always reading 2-3 books at any given time. I’ve been doing this since I was a wee lil’ reader. I think it comes from wanting to have a book pre-positioned in any room I might enter. That way, in true lazy American fashion, I can plop into a seat with whatever volume happens to be nearest. Continue reading “The Style & Times of Alice Hoffman”