Ah, the twin hazards of being a freelance artist/writer: procrastination and performance anxiety.
As soon as I sit down at my watercolor block and pick up my brushes, I find myself convinced that the writerly muse has suddenly, decisively descended and I must return to my novel RIGHT. FRICKIN’. NOW.
The minute I pull up that chapter I’m re-writing for the
second third fourth fifth time, my eyes sneak back toward my painting. I mean, is it really wise to give up the last good natural light of the day?
I think I might need a personal assistant. Just to set off the shock collar every time I think changing up activities every five minutes is a good way to be productive.
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It’s been a quiet few
weeks (er, months) around Ebb & Flow.
My preoccupation with our newest international move–this time back to the Good Ol’ US of A–is much to blame. There’s a lot involved in purchasing new cars, identifying apartments, catching up with family and friends, and coordinating three different shipments of far too much stuff. (Every time we go through one of these nomadic seasons, I fantasize about burning everything we own–books excepted–and starting from scratch.)
But the biggest culprit behind the “Mysterious Case of the Missing Blog Posts” has been the dedication of all my writing time to a massive overhaul of my historical novel. And I do mean massive: facelift, rhinoplasty, and some serious literary liposuction. As in tens of thousands of words, now gone.
I’m glad about it. With every word felled by my editing machete, I know my book’s becoming better. But… Continue reading “Mugs & Motivation”
There’s some contention about who said it (Da Vinci? Picasso? E. M. Forster? Paul Valery?), but whoever voiced it, the thought’s a salient one:
“A work of art is never finished. It is merely abandoned.”
For novelists, this means–after much hard work–finally making the choice to unclench your fingers and drop that red pen. At some point, you have to kick that baby bird out of the nest and let it fly or fall as it will.
Alas pour moi, that point of abandonment is not now. Every time I try to nudge one particular novel out of my drafting/editing nest, I find it chirping obnoxiously, squawking that it’s not quite ready.
And so I find myself flourishing that vermillion ink yet again, this time to do a massive, content-oriented edit aimed at culling thousands of words.
Now I may grumble and groan and gnash my teeth–just ask my long-suffering husband–but I’m also invigorated by it. Because who doesn’t want to make her book the best it can be?
That doesn’t mean the project isn’t daunting. Yet as I read through my novel, I’m finding two images to be helpful guides as I decide what to keep and what to cull. For my fellow writer/editors, I thought I’d share: Continue reading “Editing & Angst: Tactics for Triumphing over Tough Choices”