Note to you, dear reader: Step 1 in creating a perfect “reading kit” is to get yourself an excellent book. But Step 2 is to grab yourself something comfy for your feet. Some recommend fuzzy socks; flip flops are a classic choice if you’re heading to the beach. For me, it’s armadillo slippers or nothing. Just seems right for this Texas gal.
No doubt about it: I have Book Lust Syndrome. I already have far too many books on my “to-read” list. But that doesn’t keep me from adding new ones to my shelf when something catches my eye, or a trusted friend makes a reading recommendation (talking about you, Courtney!) In short, I’m a textbook (pun intended) victim of this adage:
But as giddy as I get over cracking a new book’s spine and exploring the possibility contained within, there are times when a familiar read offers much-needed comfort. These comfort books aren’t always the most refined or revolutionary. But there’s something in their familiarity, in their resonance of a simpler time, that is soothing.
Life at this moment is definitely making me want to hide in some well-worn pages. The deadline for my massive, months-long work project is approaching with terrifying rapidity. I’m still juggling my writing and my full-time “real” job at the Embassy, along with all my other responsibilities, my relationships. It’s all I can do to get in my lap-swimming sessions. I haven’t picked up a paintbrush in months and that makes me sad.
You may have noticed my blog has been quiet of late. Part of this is a result of busy months at work. But the last few weeks of silence have been for the best of reasons.
I find coming home to the U.S. after living overseas is like a big gulp of oxygen after holding your breath underwater. It’s not that Suriname is such a dreadful place to live. It just feels so good to be home.
This particular trip back was a whirlwind: a day in Houston, a weekend jaunt to the Midwest, down to Key West to meet my family on their vacation, a few more days in various Texas locales, then a week in my hometown on the Texas Gulf Coast (and surfing!).
With all that travel time, I wasn’t going to be caught without a book in my hand.
So one night in Key West, while my dad and twin brothers were being awesome and doing a night dive around an old shipwreck (their tales of octopus, shark, and fish sightings have made me determined to finally get my scuba certification), I was cheerily getting my nerd on at a local bookstore. Continue reading “All Key-ed Up”→
I may have stumbled onto Magical Realism at some earlier point in my reading life, but the first book I can remember reading from this genre is Sarah Addison Allen’s Garden Spells. As a psuedo-Southern girl–Texas falls on that fine line between the Deep South and the Southwest–I couldn’t resist the charm of the novel’s Southern setting and atmosphere. But what really captured me was the book’s unique style, the way elements of magic enlivened the otherwise realistic story in surprising ways. At that point, I didn’t have the literary term “Magical Realism” at hand. But this striking balance between the realistic and the magical kept me buying literally every book Allen has written since.
As you might guess, Magical Realism is something of a sister genre to Fantasy, sharing as they do a theme of, well, fantasy, But unlike Fantasy novels, whose magic occurs in unique worlds carefully invented by the author, Magical Realism novels have magic sprinkled throughout our own world, realistically-rendered. Compare, for instance, J. R. R. Tolkein’s Lord of the Rings and Joanne Harris’s Chocolat.Continue reading “Five Magical Realism Novels to Snag this Summer”→
Since I’m currently vacationing in Thailand (hip, hip, hooray!), I’ll keep this post short and sweet.
Recently, I lucked into the opportunity to attend a writing class, my first in years. The course, led by British journalist and author Edward Platt, centered on travel writing. An interesting class, it’s core concept was the idea of writing about place as an emotional, personalitied essence. It was about tapping into a location’s emotional resonance.
Platt offered a variety of ways one might enter into this kind of writing. But of all the advice he offered, it was a concept he briefly addressed in his introduction that most resonated with me:
A week or so ago, I stumbled across this Buzzfeed article. The program discussed within, Recovering the Classics, seeks to breathe new life into classic literature by inviting contemporary artists to submit fresh cover designs for these oft-overlooked gems. Upon reading that any artist could submit, I had a brief, flashing thought:
Hey! I dabble in art. And I like books! It could be fun to contribute a cover.
Alaskan black bear salmon fishing
Texas armadillo & bluebonnets
(See above for a few examples of my watercolors.) But then I paged through Buzzfeed’s selection of favorite covers. My immediate response?